Die in Wien lebende freie Schriftstellerin Margret Kreidl kn\u00fcpft in ihrer Lyrik und Prosa ebenso wie in ihren Theaterst\u00fccken, Libretti und H\u00f6rspielen assoziationsreiche Klangteppiche, wobei sie eine Vielzahl lyrischer Formen und Traditionen reaktiviert. Erinnerungen und Tr\u00e4ume, Verweise auf Texte der Weltliteratur und ikonische Kunstwerke werden mit trivialen Elementen wie Schlagzeilen und Wetterberichten auf spielerische Weise verwoben, die Raum zum Weiterspinnen der Gedanken und Anspielungen l\u00e4sst.<\/p>\n
Kreidl verfasst H\u00f6rspiele (z.B. \u201eEine Schwalbe falten\u201c, Komposition: Ant\u00f3nio Breitenfeld S\u00e1 Dantas, ORF 2017) und Auff\u00fchrungen (z.B. \u201eEINLEUCHTEND WEISS\u201c, Kompositionen von Sanziana Dobrovicescu, Clemens Nachtmann und Antonis Rouvelas, KULTUM, Graz 2021). Zudem ver\u00f6ffentlichte sie zahlreiche B\u00fccher u. a.: Ich bin eine K\u00f6nigin. Auftritte, Wieser Verlag 1996; In allen Einzelheiten. Katalog, Ritter Verlag 1998; Hier schl\u00e4ft das Tier mit Z\u00f6pfen. Gedichte mit Fu\u00dfnoten, Berger Verlag 2018. In der Edition Korrespondenzen: Laute Paare. Szenen Bilder Listen, 2002; Mitten ins Herz, 2005; Eine Schwalbe falten, 2009; Einfache Erkl\u00e4rung. Alphabet der Tr\u00e4ume, 2014; Zitat, Zikade. Zu den S\u00e4tzen, 2017; Schl\u00fcssel zum Offenen. Gedichte, 2021; Mehr Frauen als Antworten. Gedichte mit Fu\u00dfnoten, 2023. Eben erschien im Sonderzahl-Verlag der von ihr gemeinsam mit Lucas Cejpek arrangierte Band Wien, Schwedenplatz polyphon. Seit 2015 lehrt sie \u00c4sthetik und kreatives Schreiben am Max Reinhardt 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