{"id":6632,"date":"2026-06-28T20:38:40","date_gmt":"2026-06-28T18:38:40","guid":{"rendered":"https:\/\/wochefuerdeutsch.be\/?post_type=tribe_events&p=6632"},"modified":"2026-08-25T18:41:57","modified_gmt":"2026-08-25T16:41:57","slug":"movie-at-the-cinama-les-grinoux-film-in-die-sonne-schauen-sound-of-falling-2025","status":"publish","type":"tribe_events","link":"https:\/\/wochefuerdeutsch.be\/en\/event\/movie-at-the-cinama-les-grinoux-film-in-die-sonne-schauen-sound-of-falling-2025\/","title":{"rendered":"Movie at the cinama “les Grignoux” . Film : IN DIE SONNE SCHAUEN \/ SOUND OF FALLING (2025)"},"content":{"rendered":"

Four Girls, One Farm, One Hundred Years: Mascha Schilinski\u2019s Acclaimed Century-Spanning Mosaic<\/strong><\/p>\n

A farm in the Altmark region. Four girls grow up there in four different periods: the 1910s, the 1940s, the 1980s in East Germany and the present day. They never meet, yet their lives mirror one another. Mascha Schilinski recounts these hundred years not chronologically, but as an associative stream of memories. The film reveals that the violence inflicted on these girls does not stem from isolated individuals, but is embedded in social structures. It also shows how trauma that has never been overcome is passed down from one generation to the next, until no one remembers where it originated.<\/p>\n

The film is also a remarkable formal achievement. The camera moves close to the characters\u2019 faces, while sound and editing weave the different periods together. The language also changes over the decades: in the earliest sequences, the characters speak Low German (Plattdeutsch). The film is carried by four young actresses who never reduce their characters to mere victims. Awarded the Jury Prize at the 2025 Cannes Film Festival, In die Sonne schauen<\/em> was submitted as Germany\u2019s entry for the Academy Awards and won ten German Film Awards in 2026, including the Golden Lola for Best Feature Film. Recommended for viewers aged 16 and over.<\/p>\n

Reviews<\/strong><\/p>\n

\u201cA mysterious and uncanny prose-poem of guilt, shame and yearning.\u201d \u2013 The Guardian<\/em><\/p>\n

\u201cA dizzying sensory exploration of the labyrinth of collective memory.\u201d \u2013 Cahiers du Cin\u00e9ma<\/em><\/p>\n

\u201cRarely has a film conveyed our own sense of estrangement with such power.\u201d \u2013 Le Monde<\/em><\/p>\n

\u201cA film you will never forget.\u201d \u2013 S\u00fcddeutsche Zeitung<\/em><\/p>\n

German original version with French subtitles. This film is presented in cooperation with the University of Li\u00e8ge and with the kind support of the German Embassy in Brussels.<\/p>\n

Introduction in German and French by Jeremy Hamers, Professor of Documentary Film and Media Literacy at the University of Li\u00e8ge, and Claus Telge, Lecturer in German Language and Literature at the University of Li\u00e8ge.<\/p>\n

Admission is free, but registration is required: claus.telge@uliege.be<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Four Girls, One Farm, One Hundred Years: Mascha Schilinski\u2019s Acclaimed Century-Spanning Mosaic A farm in the Altmark region. Four girls grow up there in four different periods: the 1910s, the […]","protected":false},"author":3,"featured_media":6631,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[32],"class_list":["post-6632","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-fuer-alle-en","cat_fuer-alle-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/wochefuerdeutsch.be\/en\/wp-json\/wp\/v2\/tribe_events\/6632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wochefuerdeutsch.be\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/wochefuerdeutsch.be\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/wochefuerdeutsch.be\/en\/wp-json\/wp\/v2\/users\/3"}],"version-history":[{"count":5,"href":"https:\/\/wochefuerdeutsch.be\/en\/wp-json\/wp\/v2\/tribe_events\/6632\/revisions"}],"predecessor-version":[{"id":6903,"href":"https:\/\/wochefuerdeutsch.be\/en\/wp-json\/wp\/v2\/tribe_events\/6632\/revisions\/6903"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wochefuerdeutsch.be\/en\/wp-json\/wp\/v2\/media\/6631"}],"wp:attachment":[{"href":"https:\/\/wochefuerdeutsch.be\/en\/wp-json\/wp\/v2\/media?parent=6632"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wochefuerdeutsch.be\/en\/wp-json\/wp\/v2\/tags?post=6632"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/wochefuerdeutsch.be\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=6632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}